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輔仁大學
輔仁大學是天主教會在臺灣設立之第一所大學，創校迄今1996年，向本敬天愛人之精神，為全人教育而努力，除了希望為國家培植德、智、體、群、美五育兼備之英才，亦願以各種學術活動及社區服務、貢獻社會人群，並以客觀執著之研究，致力於真理之追求及中西文化之交融，俾達增進人類福祇，促進世界大同之目標。本校在培育人才方面，兼注通才與專才養成教育，尤其致力人文精神的培養，期使學生在就業之餘，能有高尚的情操與豐富的人生。此外，為擴大接觸層面，本校並與多所外國知名大學締結「姐妹校」關係，以增進文化交流，並提升學校的國際地位。
系所簡介
應用美術學系
應用美術系成立於1984年，隸屬于輔仁大學藝術學院，為國內首創之應用美術學系。本系發展特色為採取高品質的小班教學，師資均為學術 界與設計界之專家，環境與設備優異，全系空間均為中央冷氣空調，適合設計教學與活動。2010年起，因應大學多元化的發展，提供一個終身學習的環境，成立了應用美術系進修學士班。自大二起，分為電腦動畫與視覺傳達組、金工產品與室內設計組，學生可從中學習多元化且豐富之課程，並依照自我之興趣，選擇一專長做畢業時之專題發表。
輔仁大學 應用美術學系
金工產品組-停留在f1.8上的幸福Keep the happiness
作品
作品簡介
偶然間，在一只舊皮箱內翻出一台老相機。
發現裡面還留著未沖洗的底片，原來是１５年前爸爸幫我捕捉的燦爛笑臉。
一個平凡的幸福躲在光圈裡好多年，為的是等到再度開啟的一天。
One day, I found an undeveloped negative in an old camera. In the photos, I discovered my young smiling face which was captured by my dad 15 years ago. An ordinary happiness hidden behind the aperture for many years. Wait for the day to be found and sparkle again.
設計者：楊雅婷
發現裡面還留著未沖洗的底片，原來是１５年前爸爸幫我捕捉的燦爛笑臉。
一個平凡的幸福躲在光圈裡好多年，為的是等到再度開啟的一天。
One day, I found an undeveloped negative in an old camera. In the photos, I discovered my young smiling face which was captured by my dad 15 years ago. An ordinary happiness hidden behind the aperture for many years. Wait for the day to be found and sparkle again.
設計者：楊雅婷
輔仁大學 應用美術學系
金工產品組- 小吃 take a slow bite
作品
作品簡介
<小吃>為集結府城歷史文化特色小吃設計專屬餐具，期許人們能夠優雅地享用道地美食。
此組餐具不僅方便食用，更可協助不會使用筷子的外國朋友，讓享受美食不再有任何的困擾。
整組餐具分為五件：麵羹匙、扁粥匙、糕粽鏟、棺材板、三味叉，分別以各區不同的特色小吃做為主題，更融入當地建築特色，讓使用時能夠與當地情景做連結，共同滿足味蕾與視覺的享受。
The special cutlery is especially designed for tasting the specialties in Tainan- an old town famous for its historical and cultural heritage, making you enjoy the local delicacies with elegance.
This cutlery is not only easy to use, but also assists those foreign friends who don’t know how to use chopsticks. It will no more be a burden to enjoy the delicacies!
This set of cutlery including 5 items: thick spoo、gruel spoon、Zongzi server、bread bowl server、sweetmeat fork.
It is inspired by different local specialties, moreover integrating feature of regional architecture. Those cutlery links with the scenery as you use it, which create a visual and gustatory feast.
設計者：徐重晴
此組餐具不僅方便食用，更可協助不會使用筷子的外國朋友，讓享受美食不再有任何的困擾。
整組餐具分為五件：麵羹匙、扁粥匙、糕粽鏟、棺材板、三味叉，分別以各區不同的特色小吃做為主題，更融入當地建築特色，讓使用時能夠與當地情景做連結，共同滿足味蕾與視覺的享受。
The special cutlery is especially designed for tasting the specialties in Tainan- an old town famous for its historical and cultural heritage, making you enjoy the local delicacies with elegance.
This cutlery is not only easy to use, but also assists those foreign friends who don’t know how to use chopsticks. It will no more be a burden to enjoy the delicacies!
This set of cutlery including 5 items: thick spoo、gruel spoon、Zongzi server、bread bowl server、sweetmeat fork.
It is inspired by different local specialties, moreover integrating feature of regional architecture. Those cutlery links with the scenery as you use it, which create a visual and gustatory feast.
設計者：徐重晴
輔仁大學 應用美術學系
金工產品組-心禮 Hearty Gift
作品
作品簡介
「心禮」是一組結合「紅包與纏花」的相框禮袋，針對中國春節、婚嫁聘金、長輩賀壽，藉以表達送禮者心意的客製化禮盒，讓這「禮」充分表達誠摯心意外更顯高雅珍貴。
「紅包」對自古以來以「禮儀之邦」自居的中國人而言，是禮尚往來代表文化之一，體現和諧相處的友好情誼，可惜現今多以紙袋包覆，情意漸淡且保存不佳。「纏花」又稱春仔花，為台灣早期新娘出嫁必戴髮飾，象徵吉祥之意。本設計結合「紅包與纏花」的傳統意象加以融入現代生活，以傳遞最具東方送禮的心意。
Chinese people have a culture of courtesy demands reciprocity. Giving gifts and gifts in return are very important in social life especially in special occasions.
Red Envelope culture is an exact reflection of the courtesy in social relationships, representing harmony and friendship. However, giving red envelopes nowadays has been gradually diluted to a gesture only and a gift (Red Envelope) wrapped in paper is also difficult to keep.
Hence, this series of “HEARTY GIFT” metal works is designed to provide another choice of Red Envelopes for the occasions of Chinese Lunar New Year, engagement and wedding, Birthday and etc. The characteristics of its design are customization and preservable. The metal frame of “red envelope” can be used as photo frame keeping beautiful memories, and the flowers made by entwining craft with thread are added to make this gift more precious and artistic.
設計者：黃亦捷
「紅包」對自古以來以「禮儀之邦」自居的中國人而言，是禮尚往來代表文化之一，體現和諧相處的友好情誼，可惜現今多以紙袋包覆，情意漸淡且保存不佳。「纏花」又稱春仔花，為台灣早期新娘出嫁必戴髮飾，象徵吉祥之意。本設計結合「紅包與纏花」的傳統意象加以融入現代生活，以傳遞最具東方送禮的心意。
Chinese people have a culture of courtesy demands reciprocity. Giving gifts and gifts in return are very important in social life especially in special occasions.
Red Envelope culture is an exact reflection of the courtesy in social relationships, representing harmony and friendship. However, giving red envelopes nowadays has been gradually diluted to a gesture only and a gift (Red Envelope) wrapped in paper is also difficult to keep.
Hence, this series of “HEARTY GIFT” metal works is designed to provide another choice of Red Envelopes for the occasions of Chinese Lunar New Year, engagement and wedding, Birthday and etc. The characteristics of its design are customization and preservable. The metal frame of “red envelope” can be used as photo frame keeping beautiful memories, and the flowers made by entwining craft with thread are added to make this gift more precious and artistic.
設計者：黃亦捷
輔仁大學 應用美術學系
金工產品組-失序之境/Broken Lands
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作品簡介
隨著科技日新月異，人口數不斷上升，人們與環境之間漸漸失去平衡，此一系列金工作品便是以被人們破壞的自然為靈感,希望藉由人與佩戴飾品之間的關係來傳達人與自然共生的關係，也提醒人們重視那些被破壞的環境所造成的反撲此件作品是以土石流的概念，以岩石塊體組合而成的項鍊,藉此呈現出人們遭受土石流衝擊的情境。
With the advancement of technology and the rising of population, the balance between the people and the environment gradually got lost. This series of metalworking works is inspired by people who destroyed the natural environment. Hoping to convey the relationship between man and wearing jewelry symbiotic with nature. In addition, it also reminds us that we should pay attention to the counterattack of those damaged environment.
設計者：邱冠仁
With the advancement of technology and the rising of population, the balance between the people and the environment gradually got lost. This series of metalworking works is inspired by people who destroyed the natural environment. Hoping to convey the relationship between man and wearing jewelry symbiotic with nature. In addition, it also reminds us that we should pay attention to the counterattack of those damaged environment.
設計者：邱冠仁
輔仁大學 應用美術學系
金工產品組-夜芭蕾 Ballet de nuit
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作品簡介
「隱約的磷光到處飛舞，不管是大是小，持續或是閃爍，讓擁有它的生物顯得好像捕捉到已熄滅星宿最後的光，讓牠們在這個永夜的領域中得以照亮自身的存在。」
Subtle Phosphorescence flies everywhere. No matter big or small, continuous or flashing. The creature which has the phosphorescence seems like seize the last light from the extinguished night. <>
－摩納哥王子亞伯一世（Ａｌｂｅｒｔ １ｅｒ），１９０２年
「夜之芭蕾」-一個表現神秘深海生物之美的現代金工飾品，以水母在水中悠游的姿態為造型主題，表現海洋中優雅的舞者，隨著海水悠然飄舞，呈現自在怡然的浪漫感，剔透的晶體映者波光粼粼的海水，反射出神秘斑斕的色光，迷幻的螢光彷彿一盞小燈，帶你探勘海的世界的夢幻。本設計藉用燈光素材來與金工飾品結合，挑戰複合材質共同創造的美感。
Night of the ballet. A modern metalwork accessory which presents the beauty of mysterious deep sea creatures, also presents the elegant dancer in the ocean. Take the graceful swimming posture of the jellyfish as the main idea. With the leisurely wave of the seawater, the posture is elegant and graceful. It shows the romantic ease. The clear crystal reflects the sparkling water and the mysterious gorgeous shade. Psychedelic fluorescence as if a small lamp, and bring you to explore the fantasy of the sea world. As the development and spread of technology , the usage of the LED light is getting widespread. I would like to combine the light material and the metalwork accessory, then challenges to create the beauty of the composite materials.
設計者：洪子媜
Subtle Phosphorescence flies everywhere. No matter big or small, continuous or flashing. The creature which has the phosphorescence seems like seize the last light from the extinguished night. <
－摩納哥王子亞伯一世（Ａｌｂｅｒｔ １ｅｒ），１９０２年
「夜之芭蕾」-一個表現神秘深海生物之美的現代金工飾品，以水母在水中悠游的姿態為造型主題，表現海洋中優雅的舞者，隨著海水悠然飄舞，呈現自在怡然的浪漫感，剔透的晶體映者波光粼粼的海水，反射出神秘斑斕的色光，迷幻的螢光彷彿一盞小燈，帶你探勘海的世界的夢幻。本設計藉用燈光素材來與金工飾品結合，挑戰複合材質共同創造的美感。
Night of the ballet. A modern metalwork accessory which presents the beauty of mysterious deep sea creatures, also presents the elegant dancer in the ocean. Take the graceful swimming posture of the jellyfish as the main idea. With the leisurely wave of the seawater, the posture is elegant and graceful. It shows the romantic ease. The clear crystal reflects the sparkling water and the mysterious gorgeous shade. Psychedelic fluorescence as if a small lamp, and bring you to explore the fantasy of the sea world. As the development and spread of technology , the usage of the LED light is getting widespread. I would like to combine the light material and the metalwork accessory, then challenges to create the beauty of the composite materials.
設計者：洪子媜
輔仁大學 應用美術學系
金工產品組-氛享Fragrance Sharing
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作品簡介
〈氛享〉是以舒緩鼻過敏者生理上的不適感的隨身飾品，本設計期望將精油功效融入飾品設計之中，達到提振精神與改善過敏時的不適感。隨身攜帶、方便使用的〈氛享〉系列飾品，不只是增添配戴者魅力，同時還具有芳香療效。
These works are designed to alleviate the uncomfortable feeling of people with allergy. They incorporated essential oil’s therapeutic function into the design and can also boost up the wearer’ energy. The jewelry is easy to wear around and can enhance the attractiveness of the wearer.
本設計採用自然形態作為元素，結合金屬的高雅與玻璃的清透之美，營造芳香精油予人水的意象和舒服、放鬆的感覺，展現女性時而清新、自然，時而活力、繽紛的動人姿態，成為生活中獨特的金工飾品。
They adopt natural forms as the element and combine the beauty of metal and glass, conveying the image of water and demonstrate beautiful femininity of being natural, energetic and flourishing. They stand as unique art in daily lives.
設計者：楊雅筑
These works are designed to alleviate the uncomfortable feeling of people with allergy. They incorporated essential oil’s therapeutic function into the design and can also boost up the wearer’ energy. The jewelry is easy to wear around and can enhance the attractiveness of the wearer.
本設計採用自然形態作為元素，結合金屬的高雅與玻璃的清透之美，營造芳香精油予人水的意象和舒服、放鬆的感覺，展現女性時而清新、自然，時而活力、繽紛的動人姿態，成為生活中獨特的金工飾品。
They adopt natural forms as the element and combine the beauty of metal and glass, conveying the image of water and demonstrate beautiful femininity of being natural, energetic and flourishing. They stand as unique art in daily lives.
設計者：楊雅筑
輔仁大學 應用美術學系
金工產品組-玩‧數Play in the Math World
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作品簡介
在現今社會上，高科技3C產品成為日常生活中不可缺少的用品之一。
對於常看到父母手中拿著高科技產品把玩的小孩來說，這也會讓孩子跟著模仿和沉迷於遊戲的快樂當中。
這系列作品為母親外出可以佩帶且具有遊戲與學習功能的手環。可以讓孩子在外出無聊時，吸引其注意力並和父母親有所互動，讓父母、子女彼此間一起遊戲、一起學習，讓家人的關係更為親密。
遊戲學習的重點為數數和基礎的數學為主，教導小孩對於數字的認識並喜歡上數學。
Nowadays, Hi-tech products are essential in life for people. When parents use Hi-tech products for fun, it also can make children imitate and addicted to the games.
This bracelet is for mother and children. It can play and learn. When going outside, children feel bored; mother can use this bracelet to draw children’s attention. This bracelet can make parents and children play together and learn together. And they will get close to each other.
The point of learning is counting. It can make children like and learn the basic math.
設計者：賴宣儒
對於常看到父母手中拿著高科技產品把玩的小孩來說，這也會讓孩子跟著模仿和沉迷於遊戲的快樂當中。
這系列作品為母親外出可以佩帶且具有遊戲與學習功能的手環。可以讓孩子在外出無聊時，吸引其注意力並和父母親有所互動，讓父母、子女彼此間一起遊戲、一起學習，讓家人的關係更為親密。
遊戲學習的重點為數數和基礎的數學為主，教導小孩對於數字的認識並喜歡上數學。
Nowadays, Hi-tech products are essential in life for people. When parents use Hi-tech products for fun, it also can make children imitate and addicted to the games.
This bracelet is for mother and children. It can play and learn. When going outside, children feel bored; mother can use this bracelet to draw children’s attention. This bracelet can make parents and children play together and learn together. And they will get close to each other.
The point of learning is counting. It can make children like and learn the basic math.
設計者：賴宣儒
輔仁大學 應用美術學系
金工產品組-祝福Blessing
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作品簡介
流傳至今的糕點比起過去更講究外觀，可惜無法像珠寶飾品永久保存。
祝福_是一組為新娘所設計的珠寶飾品盒，陪伴我們度過人生重要階段的蛋糕，就像珠寶盒般盛裝一切珍貴的祝福。
在打開蛋糕珠寶盒的同時也提醒自己，許多人的祝福都與妳同在，希望美麗的片刻能成為喜悅的永恆，繼續迎接下一個人生旅程。
Pastry and Jewelry, two of women’s irresistible temptation
Pastry today is much more delicate; however, it cannot be preserved forever like jewelry.
Blessing, is a series of jewelry boxes designed for brides.
Cakes accompany us through great steps of life, carrying precious wishes like a jewelry box.
Upon opening the cake jewelry box, remind yourself that people’s wishes are with you. Wishing the beautiful moment can turn into joyful eternity, and lead us on to next step of life.
設計者：張育綸
祝福_是一組為新娘所設計的珠寶飾品盒，陪伴我們度過人生重要階段的蛋糕，就像珠寶盒般盛裝一切珍貴的祝福。
在打開蛋糕珠寶盒的同時也提醒自己，許多人的祝福都與妳同在，希望美麗的片刻能成為喜悅的永恆，繼續迎接下一個人生旅程。
Pastry and Jewelry, two of women’s irresistible temptation
Pastry today is much more delicate; however, it cannot be preserved forever like jewelry.
Blessing, is a series of jewelry boxes designed for brides.
Cakes accompany us through great steps of life, carrying precious wishes like a jewelry box.
Upon opening the cake jewelry box, remind yourself that people’s wishes are with you. Wishing the beautiful moment can turn into joyful eternity, and lead us on to next step of life.
設計者：張育綸
輔仁大學 應用美術學系
金工產品組-盒裝記憶memento
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作品簡介
「盒裝記憶」是以微型劇場形式呈現的童年回憶寶盒，盒內的劇場元素可拆下獨立作為飾品。
小王子：「每個大人都曾經是個小孩，只是很多人忘記這一點」。我們在時間的軌跡裡時而跌撞時而浮游，在人群關係裡掙扎、在迷霧般的未知裡試圖前進。驀然回首，曾經稚氣單純的自己在記憶裡顯得既悠遠又模糊，恍如一場深邃美麗的夢境。
即使逐漸在失去中卻依然想記住。佔據記憶一角的的牛奶盒架構出了那些已恍如夢境的往昔，盒裝所有想法、文字，呢喃細數成長蛻變帶來的快樂或憂傷。
“Memento” is presented as a miniature theatre. Every single part of the theatre can be an accessory individually.
It is said by Le Petit Prince that all grown-ups were once children - although few of them remember it. The Wheel of Time turns, we sometimes fail ourselves, struggling in relationships, and also lose ourselves, proceeding in unknown. When consciousness suddenly strikes, I realize that, I, the one once naive and innocent, has been left far behind in a beautiful dream.
Even though the dream is fading, I do not wish to forget. I chose to use the appearance of milk cartons as my theme which is full of memories for me to do this work. Inside the space, I try to compose the dream-liked past scenes and express my thoughts by them. They tell the stories about the happiness and sadness brought by growing up.
設計者：蘇嘉琦
小王子：「每個大人都曾經是個小孩，只是很多人忘記這一點」。我們在時間的軌跡裡時而跌撞時而浮游，在人群關係裡掙扎、在迷霧般的未知裡試圖前進。驀然回首，曾經稚氣單純的自己在記憶裡顯得既悠遠又模糊，恍如一場深邃美麗的夢境。
即使逐漸在失去中卻依然想記住。佔據記憶一角的的牛奶盒架構出了那些已恍如夢境的往昔，盒裝所有想法、文字，呢喃細數成長蛻變帶來的快樂或憂傷。
“Memento” is presented as a miniature theatre. Every single part of the theatre can be an accessory individually.
It is said by Le Petit Prince that all grown-ups were once children - although few of them remember it. The Wheel of Time turns, we sometimes fail ourselves, struggling in relationships, and also lose ourselves, proceeding in unknown. When consciousness suddenly strikes, I realize that, I, the one once naive and innocent, has been left far behind in a beautiful dream.
Even though the dream is fading, I do not wish to forget. I chose to use the appearance of milk cartons as my theme which is full of memories for me to do this work. Inside the space, I try to compose the dream-liked past scenes and express my thoughts by them. They tell the stories about the happiness and sadness brought by growing up.
設計者：蘇嘉琦
輔仁大學 應用美術學系
金工產品組-童樂樂The Pleasure of Children
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作品簡介
《童樂樂》是一套能給父母訴說童話故事的親子互動教材，並以一個個打開的方式來引導劇情的變化，是一個能帶出驚喜趣味的立體童話書，而以最內層的小飾品做為核心價值所在。此故事內容為《綠野仙蹤》。
童話故事充滿了許多的幻想及美夢，那份單純美好的心一直存在於我們心中，而我們也能從童話故事中獲得啟發，尤其是能讓兒童在成長的過程中學會如何解決現實問題的方法。讓我們一同享受童話的樂趣吧！
The Pleasure of Children is a set of teaching material that helps parents tell fairy tales to childrens. It uses the open way and step by step to guide the story plot changes. This is a three-dimensional book of fairy tales with surprises and interests. If you open the most inner layer of it, you will find a small jewelry which is the core value of the story. The story is The Wizard of Oz.
Fairy tales are full of fantasy and dreams. The pure and beautiful feelings that fairy tales expressed has always existed in our hearts. We can also get inspired from fairy tales; especially, fairy tales enable children to learn how to solve practical problems in the process of growing up. Let's enjoy the fun of fairy tales!
設計者：吳若緁
童話故事充滿了許多的幻想及美夢，那份單純美好的心一直存在於我們心中，而我們也能從童話故事中獲得啟發，尤其是能讓兒童在成長的過程中學會如何解決現實問題的方法。讓我們一同享受童話的樂趣吧！
The Pleasure of Children is a set of teaching material that helps parents tell fairy tales to childrens. It uses the open way and step by step to guide the story plot changes. This is a three-dimensional book of fairy tales with surprises and interests. If you open the most inner layer of it, you will find a small jewelry which is the core value of the story. The story is The Wizard of Oz.
Fairy tales are full of fantasy and dreams. The pure and beautiful feelings that fairy tales expressed has always existed in our hearts. We can also get inspired from fairy tales; especially, fairy tales enable children to learn how to solve practical problems in the process of growing up. Let's enjoy the fun of fairy tales!
設計者：吳若緁
輔仁大學 應用美術學系
金工產品組-感光Illuminate
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作品簡介
“感光”是一系列藉由「光」的意象所設計的飾品。
以光之名幻化而成的一個個金屬元件，建構、交織於人體， 因而顯現的光影變化和光澤反射，在軀體之間舞出閃耀動人姿態 藉此營造光與人的關係。
在豔陽高照的比基尼派對中，女孩們搶著展現自我，“感光”運用光、結合光、與光影舞動，吸引目光，透過日光加持，而成為派對中最耀眼的系列飾品。
“Illuminate” use a series of geometric single metal to construct a relationship between people and the sun. And in the summer , I hope girls can wear this dazzling jewelry with bikini in the sun, to show the beautiful light and shade on their body.
設計者：項寗
以光之名幻化而成的一個個金屬元件，建構、交織於人體， 因而顯現的光影變化和光澤反射，在軀體之間舞出閃耀動人姿態 藉此營造光與人的關係。
在豔陽高照的比基尼派對中，女孩們搶著展現自我，“感光”運用光、結合光、與光影舞動，吸引目光，透過日光加持，而成為派對中最耀眼的系列飾品。
“Illuminate” use a series of geometric single metal to construct a relationship between people and the sun. And in the summer , I hope girls can wear this dazzling jewelry with bikini in the sun, to show the beautiful light and shade on their body.
設計者：項寗
輔仁大學 應用美術學系
金工產品組- 愛在詩歌中Love in Song of Solomon
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作品簡介
「愛在詩歌中」是一套設計給基督教新人，在婚宴當中所佩帶的珠寶，理念來自於聖經的「雅歌」書上關於愛情的經典詩句，此詩歌是由男女對唱而組成的短篇章節，藉由引用詩句，來歌頌愛情的美好，並且謹記詩歌當中，三種對愛情的重要解釋: 付出、專一與承諾。
The work “Love in song of Solomon” is a set of jewelry designed for Christiancouples to wear in the wedding banquet. Comprised of the short chapter sang by men and women’s duet, the core value of that comes from the classical sentences quoted from the gospel in the Bible. By using quotes from the poetry, I hope that the new couple can praise the beauty of love and remember the three interpretations of love which are: devotion, single-minded, and commitment.
設計者：陸亞倫
The work “Love in song of Solomon” is a set of jewelry designed for Christiancouples to wear in the wedding banquet. Comprised of the short chapter sang by men and women’s duet, the core value of that comes from the classical sentences quoted from the gospel in the Bible. By using quotes from the poetry, I hope that the new couple can praise the beauty of love and remember the three interpretations of love which are: devotion, single-minded, and commitment.
設計者：陸亞倫
輔仁大學 應用美術學系
金工產品組-禁果 Forbidden Fruit
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作品簡介
此設計是一組可放置保險套使其隨身攜帶的飾物設計，設計的對象是以女性族群為主。
在性觀念開放的現在，保險套是性行為的最後一道防線 。
是強調安全性行為的重要與珍惜自己觀念以及防範愛滋的體現。
所以設計中更添入了愛滋防治的象徵──紅絲帶。
但為了避免保險套成為大多數人眼中尷尬的存在。
打造可隨身攜帶保險套的飾物，讓保險套有一大方美觀的容身之處外，也是一種切膚的警戒。
普普藝術是大眾文化的代表，因此在圖案風格的設計上，採用普普藝術的風格來呈現時下年輕人的意識形態。
而主要外型則以水果作為發想並扣合主題。
The work is designed as a set for adornment carrying condoms which is targeted for female consumers.
Nowadays, the attitude toward sex become more open, and condom is exactly the last defense of having sex.
The work, Forbidden Fruit, is the embodiment of the importance of having sex safely and bearing the thought of cherishing body and preventing from AIDS. Therefore, we can see the red ribbon, which symbolized the prevention of AIDS, in this work.
However, the taboo of talking about sex in public make condoms becomes an embarrassing existence to many people.
The idea of designing a adornment of bringing condoms is emerged, the adornment itself is not only provide a decent place for putting condoms, but also a self- reflection and warning for the users.
Adopting the pattern and the style of Pop Art, the representative of masscult, is likely to indicate the ideology of the popularity and prevalence of the present younger generations.
Using the image of fruits as the inspiration and simultaneously respond to the topic, Forbidden Fruit, as well.
設計者： 李旻熹
在性觀念開放的現在，保險套是性行為的最後一道防線 。
是強調安全性行為的重要與珍惜自己觀念以及防範愛滋的體現。
所以設計中更添入了愛滋防治的象徵──紅絲帶。
但為了避免保險套成為大多數人眼中尷尬的存在。
打造可隨身攜帶保險套的飾物，讓保險套有一大方美觀的容身之處外，也是一種切膚的警戒。
普普藝術是大眾文化的代表，因此在圖案風格的設計上，採用普普藝術的風格來呈現時下年輕人的意識形態。
而主要外型則以水果作為發想並扣合主題。
The work is designed as a set for adornment carrying condoms which is targeted for female consumers.
Nowadays, the attitude toward sex become more open, and condom is exactly the last defense of having sex.
The work, Forbidden Fruit, is the embodiment of the importance of having sex safely and bearing the thought of cherishing body and preventing from AIDS. Therefore, we can see the red ribbon, which symbolized the prevention of AIDS, in this work.
However, the taboo of talking about sex in public make condoms becomes an embarrassing existence to many people.
The idea of designing a adornment of bringing condoms is emerged, the adornment itself is not only provide a decent place for putting condoms, but also a self- reflection and warning for the users.
Adopting the pattern and the style of Pop Art, the representative of masscult, is likely to indicate the ideology of the popularity and prevalence of the present younger generations.
Using the image of fruits as the inspiration and simultaneously respond to the topic, Forbidden Fruit, as well.
設計者： 李旻熹
輔仁大學 應用美術學系
金工產品組-慢.生活Slow and simple living
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作品簡介
「慢。生活 」是一組品茗的銀器茶具組，並以手工方式鍛敲成型，而以銀壺泡茶可使銀離子帶入茶湯中，增加飲用者的健康並讓茶湯更甘甜，澀減韻長，並能改善水質且傳導可比瓷壺還要更好，以圓形壺身、拱形壺蓋為設計，方能使導熱均勻，並較易釋放茶香。
在現代充斥著高科技講求速率的時代，處處呈現緊張、繁忙、高壓的現象，以品茗提升人們的生活情緒，以茶藝平衡科技所帶來文化失調的現象，舒緩現代緊張繁忙的生活。
在現代充斥著高科技講求速率的時代，處處呈現緊張、繁忙、高壓的現象，以品茗提升人們的生活情緒，以茶藝平衡科技所帶來文化失調的現象，舒緩現代緊張繁忙的生活。
輔仁大學 應用美術學系
視覺傳達組-三合院的第二春The Reborn of The Courtyard Houses
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作品簡介
象徵著過去農業社會生活的三合院，隨著時間的推移，逐漸被摩天大樓取代老舊、腐朽。然而，老厝的溫暖與人情，卻是簡潔、便利的現代建築怎麼也無法取代的。
許多嚮往人與人之間緊密連結的情感，想為逐一消逝的三合院盡一份力的夢想家們，紛紛回歸，以不同的方式，為老厝們找到延續生命的動力，注入新活力。我們期望，透過攝影與採訪，記錄這些夢想家們如何在逆境中堅持理想，終至成功的感動故事，讓老房子的美被更多人看見。
The traditional houses, the courtyard houses which represent the life back in agricultural society have been gradually replaced by skyscrapers and have been decadent as time goes on. However, the warmness and friendliness of these old houses can never be replaced by pithy modern buildings. Many dreamers who are attractive toward the close links among people and want to help reviving the courtyard houses have been back to them and have provided the motive power that prolongs the viability of the courtyard houses. Through our photographs, interviews, and the notes we took down, we recorded how these dreamers hold on to their ideas in difficult situations and finally came off. We hope that more and more people will see the beauty of these old houses.
設計團隊：角蔚妮、黃詩婷、張雅嫻
許多嚮往人與人之間緊密連結的情感，想為逐一消逝的三合院盡一份力的夢想家們，紛紛回歸，以不同的方式，為老厝們找到延續生命的動力，注入新活力。我們期望，透過攝影與採訪，記錄這些夢想家們如何在逆境中堅持理想，終至成功的感動故事，讓老房子的美被更多人看見。
The traditional houses, the courtyard houses which represent the life back in agricultural society have been gradually replaced by skyscrapers and have been decadent as time goes on. However, the warmness and friendliness of these old houses can never be replaced by pithy modern buildings. Many dreamers who are attractive toward the close links among people and want to help reviving the courtyard houses have been back to them and have provided the motive power that prolongs the viability of the courtyard houses. Through our photographs, interviews, and the notes we took down, we recorded how these dreamers hold on to their ideas in difficult situations and finally came off. We hope that more and more people will see the beauty of these old houses.
設計團隊：角蔚妮、黃詩婷、張雅嫻
輔仁大學 應用美術學系
視覺傳達組-三貧之都
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作品簡介
這片土地上的人，窮到只剩不怕窮！
全臺灣最貧窮縣市——雲林縣，
全雲林最貧窮鄉鎮——口湖鄉，
全口湖最貧窮村莊——水井村。
走進濱海貧鄉裡，探索獨特產業環境與人文風情，
試圖在最窮鄉僻壤的角落，發現雲林最不平凡的生活。
烏魚子生生不息，甩採茶旦一身絕技；
牽水祭感念祖靈，玫瑰蕃茄鹽地奇蹟。
三種生活頻率——討生活／享悠活／惜綠活，
半黑白攝影描繪身影，撕邊海報雋刻骨氣，
淺透彩度蘊藏生命力。雲林人的富饒心靈，
讓這片土地綿延希望生機。
全臺灣最貧窮縣市——雲林縣，
全雲林最貧窮鄉鎮——口湖鄉，
全口湖最貧窮村莊——水井村。
走進濱海貧鄉裡，探索獨特產業環境與人文風情，
試圖在最窮鄉僻壤的角落，發現雲林最不平凡的生活。
烏魚子生生不息，甩採茶旦一身絕技；
牽水祭感念祖靈，玫瑰蕃茄鹽地奇蹟。
三種生活頻率——討生活／享悠活／惜綠活，
半黑白攝影描繪身影，撕邊海報雋刻骨氣，
淺透彩度蘊藏生命力。雲林人的富饒心靈，
讓這片土地綿延希望生機。
輔仁大學 應用美術學系
視覺傳達組-竹栔
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作品簡介
竹，乃亞洲特有的天然資源。
覆蓋在亞洲各地的竹類數量，即佔了世界比例中的八成。
臺灣擁有相當豐富的竹類資源，自原始之時便已鬱鬱蒼蒼，因此為臺灣這塊土地上的原住民們所善用，是為臺灣最原生的器皿之一。
使用竹子所製之器具，簡單，樸實，是為其美麗之所在。
堅韌，富變化，則是它原生的力量。
現在讓我們重新回到竹林裡，拾一節竹子，用最簡單的方式，找回這種最樸實的美。
Bamboo is a peculiar natural resource in Asia, amount for eighty percent of bamboo in the world grows in Asia.
Taiwan also have variety kinds of bamboo, and the Aboriginals has been using it in their daily life for a long time. The utensils made of bamboo are simple and beautiful;their toughness and volatile are the reason why they are so powerful. Now, let us go back into the bamboo grove to find out the simplest beauty of it.
設計者：顏谷恩
覆蓋在亞洲各地的竹類數量，即佔了世界比例中的八成。
臺灣擁有相當豐富的竹類資源，自原始之時便已鬱鬱蒼蒼，因此為臺灣這塊土地上的原住民們所善用，是為臺灣最原生的器皿之一。
使用竹子所製之器具，簡單，樸實，是為其美麗之所在。
堅韌，富變化，則是它原生的力量。
現在讓我們重新回到竹林裡，拾一節竹子，用最簡單的方式，找回這種最樸實的美。
Bamboo is a peculiar natural resource in Asia, amount for eighty percent of bamboo in the world grows in Asia.
Taiwan also have variety kinds of bamboo, and the Aboriginals has been using it in their daily life for a long time. The utensils made of bamboo are simple and beautiful;their toughness and volatile are the reason why they are so powerful. Now, let us go back into the bamboo grove to find out the simplest beauty of it.
設計者：顏谷恩
輔仁大學 應用美術學系
視覺傳達組-金好玩Have fun in Kinmen
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作品簡介
有感於金門現今旅遊規劃的制式，想以不一樣的方式帶領大家遊玩金門，結合單打雙不打的金門歷史經歷，發想出單日戰鬥遊，雙日慢活遊的旅遊路線，並規劃出兩套設計。
Because of the cliche of traveling in Kinmen, we want to show everyone a different way to travel in Kinmen.
Combining with the history of Kinmen “firing at odd-numbered days and ceasing at even-numbered days”, we esigned two kinds of new traveling routes, the “odd-numbered days firing trip", and the “even-numbered days relaxing trip".
設計團隊：陳盈安、趙家欣 、李敏彤
Because of the cliche of traveling in Kinmen, we want to show everyone a different way to travel in Kinmen.
Combining with the history of Kinmen “firing at odd-numbered days and ceasing at even-numbered days”, we esigned two kinds of new traveling routes, the “odd-numbered days firing trip", and the “even-numbered days relaxing trip".
設計團隊：陳盈安、趙家欣 、李敏彤
輔仁大學 應用美術學系
視覺傳達組-相對綠Relative green
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作品簡介
與這片土地共榮共存、順應自然的工法，那就是綠建築。
在科技尚未發達的時代，先民們並不與自然對抗，而是反過來借助自然的力量，創造出更舒適的生活。那份精神與其結晶，將之劃分為綠建築也定不為過。
如今，隨著科技的進步，許多技術已然沒落，然而那份「綠」的精神仍然值得效法。希望能將這些智慧的結晶以影像的形式留存在台灣人的心中，並使眾人對其有更深的了解。
With this land co-prosperity coexistence, construction methods conform to the natural, is called “green building”.
In science and technology not yet developed time, ancients to live, creates many technologies, they do not confrontation with nature, but is in turn with the aid of the natural strength, creates the better life.
Today, with advances in technology, many ancient technologies is already declined, but the spirit of “green”, however, is still worth imitating.
設計者：戴仲遙
在科技尚未發達的時代，先民們並不與自然對抗，而是反過來借助自然的力量，創造出更舒適的生活。那份精神與其結晶，將之劃分為綠建築也定不為過。
如今，隨著科技的進步，許多技術已然沒落，然而那份「綠」的精神仍然值得效法。希望能將這些智慧的結晶以影像的形式留存在台灣人的心中，並使眾人對其有更深的了解。
With this land co-prosperity coexistence, construction methods conform to the natural, is called “green building”.
In science and technology not yet developed time, ancients to live, creates many technologies, they do not confrontation with nature, but is in turn with the aid of the natural strength, creates the better life.
Today, with advances in technology, many ancient technologies is already declined, but the spirit of “green”, however, is still worth imitating.
設計者：戴仲遙
輔仁大學 應用美術學系
視覺傳達組-得時Harvest
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作品簡介
「節氣，是食材最自然的調味料。」
吃，是件重要的事。何時吃？吃什麼？怎麼吃？是我們每天都要自問的問題。二十四節氣是老祖先傳承下來的自然時間表。而食材在最適當的氣候和土地中長成，不需多餘的農藥、施肥。吃起來新鮮、肥美、營養充足，也因當季盛產產量充足，價格也就便宜。
二十四節氣是老天給的禮物，讓我們在各季節能品嘗到食物最自然的原味。
順著大自然的節奏，跟隨節氣細細咀嚼四季的味道，以及台灣人對這塊土地的堅持。
Solar term, the genuine flavor from ingredients
Eating is a serious business. One must question oneself on a daily basis for when to eat, what to eat and how. The 24 solar terms of our ancient heritage are the natural itinerary, in which cultivated the ingredients to prosperous in the most ideal climate and soil. Needless excessive chemicals or fertilizer, with the abundant supply in reasonable price, seasonal goods give a taste full of freshness, nutrition and liveliness.
The 24 solar systems are the gifts from Mother Nature to provide us the most genuine flavor of the season. Going along the flow of earth, let us savor the taste of the seasons as well as the persistence of the Taiwanese people to the land dwelling upon.
設計團隊：石曦璇、張怡荃 、邱浩恩
吃，是件重要的事。何時吃？吃什麼？怎麼吃？是我們每天都要自問的問題。二十四節氣是老祖先傳承下來的自然時間表。而食材在最適當的氣候和土地中長成，不需多餘的農藥、施肥。吃起來新鮮、肥美、營養充足，也因當季盛產產量充足，價格也就便宜。
二十四節氣是老天給的禮物，讓我們在各季節能品嘗到食物最自然的原味。
順著大自然的節奏，跟隨節氣細細咀嚼四季的味道，以及台灣人對這塊土地的堅持。
Solar term, the genuine flavor from ingredients
Eating is a serious business. One must question oneself on a daily basis for when to eat, what to eat and how. The 24 solar terms of our ancient heritage are the natural itinerary, in which cultivated the ingredients to prosperous in the most ideal climate and soil. Needless excessive chemicals or fertilizer, with the abundant supply in reasonable price, seasonal goods give a taste full of freshness, nutrition and liveliness.
The 24 solar systems are the gifts from Mother Nature to provide us the most genuine flavor of the season. Going along the flow of earth, let us savor the taste of the seasons as well as the persistence of the Taiwanese people to the land dwelling upon.
設計團隊：石曦璇、張怡荃 、邱浩恩
輔仁大學 應用美術學系
視覺傳達組-得閒茶飲
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作品簡介
「得閒飲茶」廣東話的意思是有空去飲茶（也可以表示找天來個小聚見見面，不一定真的是飲茶），使用情境大多是在街上難得遇見認識的朋友，或許大家正在忙，不能詳聊，只好找天約到茶樓「飲杯茶，食個包，再吹吹水（聊聊天）」。
以輕鬆手繪線條描繪出「上茶樓飲茶」，透過插圖重現茶樓昔日與現在之間的變化。把粵式飲茶文化的特色製作成明信片的載體，配以簡單文字介紹。而作為遊子的思鄉之情，對飲茶的念念不忘。不只是那杯茶或美味的點心，更是與家人，朋友的相聚。就把思念寄出去吧！
＜dak hann yum cha＞ in Cantonese ‘s meaning is ‘ let's go to yum-cha when you're free !’or ‘Let’s hang out sometime!‘. Generally using in you meet your friends on the streets , you may invite him/her for dim-sum when they are free.
Using hand-drawn style to show that the tea house changing from old to new. The characteristic of Cantonese style tea culture made into postcard ,together with simple text description. Residing far away from home like me, yum-cha is really unforgettable.I love that not only a cup of tea or delicious dim-sum, but also together with family and friends .Let’s send the postcards with your love.
設計者：林嘉宜
以輕鬆手繪線條描繪出「上茶樓飲茶」，透過插圖重現茶樓昔日與現在之間的變化。把粵式飲茶文化的特色製作成明信片的載體，配以簡單文字介紹。而作為遊子的思鄉之情，對飲茶的念念不忘。不只是那杯茶或美味的點心，更是與家人，朋友的相聚。就把思念寄出去吧！
＜dak hann yum cha＞ in Cantonese ‘s meaning is ‘ let's go to yum-cha when you're free !’or ‘Let’s hang out sometime!‘. Generally using in you meet your friends on the streets , you may invite him/her for dim-sum when they are free.
Using hand-drawn style to show that the tea house changing from old to new. The characteristic of Cantonese style tea culture made into postcard ,together with simple text description. Residing far away from home like me, yum-cha is really unforgettable.I love that not only a cup of tea or delicious dim-sum, but also together with family and friends .Let’s send the postcards with your love.
設計者：林嘉宜
輔仁大學 應用美術學系
視覺傳達組-野茶壽 Taiwanese picnic basket
作品
作品簡介
在台灣這塊土地上，有著豐富的自然美景，淳樸的農家精神，這些珍貴的禮物，卻漸漸被忽視、遺忘。於是我們改良「茶壽」這項稻稈編織的傳統茶保溫器具，用在地的稻材製作手工茶壽，稻米製作茶食，加上茶具和茶葉，形成一套充滿土 地情感的「野餐茶」禮盒。帶著它走訪自然，在清香熱茶中發現台灣土地的美好，保留茶溫，也留住台灣這塊土地的溫度。希望藉由「野茶壽」重新拉近人與土地間的距離，創造一種新的台灣野餐茶文化。
In Taiwan, we have abundant beautiful natural scenery and pristine rural spirit. But these precious gifts have been gradually neglected and forgotten. Therefore, we improved the traditional hand-made baskets which were made of rice stalks and used to keep the tea warm. We used the local materials to make it and put a tea set, Taiwanese tea-leaves and rice refreshments into the basket. People can take this “Taiwanese picnic basket” to experience the natural beauty of Taiwan. We hope to bridge the distance between humans and the land through this product and to create a new Taiwanese picnic culture.
設計團隊：劉少棻、李惠婷
In Taiwan, we have abundant beautiful natural scenery and pristine rural spirit. But these precious gifts have been gradually neglected and forgotten. Therefore, we improved the traditional hand-made baskets which were made of rice stalks and used to keep the tea warm. We used the local materials to make it and put a tea set, Taiwanese tea-leaves and rice refreshments into the basket. People can take this “Taiwanese picnic basket” to experience the natural beauty of Taiwan. We hope to bridge the distance between humans and the land through this product and to create a new Taiwanese picnic culture.
設計團隊：劉少棻、李惠婷
輔仁大學 應用美術學系
視覺傳達組- 揪柑心 Jiu Gan Xin
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作品簡介
台灣是個盛產茶葉與水果的王國，因此有了柑橘水果與茶葉結合的特殊水果茶飲。
我們選用了8種柑橘茶飲來做包裝禮盒。
包裝採用紙漿塑模，讓酸柑茶獨特的外型得以保留，材質也更為環保。
而袋茶設計使其更方便飲用，兩包茶一包糖的連結形式，希望喝茶時與更多人分享。
在如此特別的條件下，希望延續那獨特的酸甘滋味，這就是「台灣水果，茶」。
Taiwan is a country that abounds in fruits and tea, so we have the unique fruit tea that combined with citrus fruits and tea.
We selected eight kinds of citrus tea to make a set of gift box.
The form of packaging is developing of molded paper pulp, keeping the special shape of the Huton Gan Tea and the material is more eco-friendly.
Tea bags make it more convenient to drink, and the form of two packets of tea and a packet of sugar is hoping you to share with others when you are drinking tea.
With such special conditions, we want to continue this unique flavor and it is a citrus tea of Taiwan.
設計團隊：葉毓謹、魏易安
我們選用了8種柑橘茶飲來做包裝禮盒。
包裝採用紙漿塑模，讓酸柑茶獨特的外型得以保留，材質也更為環保。
而袋茶設計使其更方便飲用，兩包茶一包糖的連結形式，希望喝茶時與更多人分享。
在如此特別的條件下，希望延續那獨特的酸甘滋味，這就是「台灣水果，茶」。
Taiwan is a country that abounds in fruits and tea, so we have the unique fruit tea that combined with citrus fruits and tea.
We selected eight kinds of citrus tea to make a set of gift box.
The form of packaging is developing of molded paper pulp, keeping the special shape of the Huton Gan Tea and the material is more eco-friendly.
Tea bags make it more convenient to drink, and the form of two packets of tea and a packet of sugar is hoping you to share with others when you are drinking tea.
With such special conditions, we want to continue this unique flavor and it is a citrus tea of Taiwan.
設計團隊：葉毓謹、魏易安
輔仁大學 應用美術學系
視覺傳達組-壽星
作品
作品簡介
最心愛的人，你知道他的農曆生日嗎?
現代人已過慣了西曆生日而我們都忘卻農曆才是中國先祖傳承下來的智慧結晶我們應該用中國人的曆法過中國人的農曆生日“壽星--農曆生日卡”一套專為現代已忽略農曆文化所設計的生日賀卡
因此以推廣農曆生日的概念再結合中國的民間信仰，讓每個人在農曆生日這天都有同天生日的神明配對，得到專屬「壽星」的祝福與庇佑。卡片不只傳遞親友的祝福，也能藉此認識台灣神明的生辰故事與文化內涵，使民間信仰和傳統曆法碰撞出新的火花。
現代人已過慣了西曆生日而我們都忘卻農曆才是中國先祖傳承下來的智慧結晶我們應該用中國人的曆法過中國人的農曆生日“壽星--農曆生日卡”一套專為現代已忽略農曆文化所設計的生日賀卡
因此以推廣農曆生日的概念再結合中國的民間信仰，讓每個人在農曆生日這天都有同天生日的神明配對，得到專屬「壽星」的祝福與庇佑。卡片不只傳遞親友的祝福，也能藉此認識台灣神明的生辰故事與文化內涵，使民間信仰和傳統曆法碰撞出新的火花。
輔仁大學 應用美術學系
室內設計組-BRIGHT HOUSE
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作品簡介
好客睦鄰是台灣人在這塊土地上的風俗與習慣，喜歡串門子或是湊熱鬧。
早上七、八點，呼朋引伴到市場買菜順便閒聊或對弈一局，中午為朋友或自己做頓簡單的午餐，有時計畫一趟小旅行或參與社團活動，享受愜意的一天。
所以為何要把老人家送到山上養老呢？
與家人分隔兩地、交通不便，加上無法與熟悉的好友相聚，是多麼無趣！
希望在市區裡有一個銀髮社區，讓大夥參與並豐富生活，使下一代了解更多智慧且加以珍惜。
Being friendly is one of the Taiwanese people’s greatest traits. People in Taiwan enjoy visiting friends and gathering where other people are. Early in the morning, we can see elderly playing chess or shopping for groceries at the market with friends. Around noon, they prepare lunch for themselves and their friends. Sometimes, they plan trips, join community activities, and enjoy their pleasant life. Why do we send our beloved parents and grandparents to elderly facility in the mountains after retirement? Being apart from family, living in an inaccessible area, and being separated from their friends surely make their lives unpleasant! If we can build a community in the urban area for the elderly, and let them enjoy and enrich their life with friends and family, we will be able to learn from their knowledge and cherish their wisdom.
設計團隊：林泰成、楊貴涵
早上七、八點，呼朋引伴到市場買菜順便閒聊或對弈一局，中午為朋友或自己做頓簡單的午餐，有時計畫一趟小旅行或參與社團活動，享受愜意的一天。
所以為何要把老人家送到山上養老呢？
與家人分隔兩地、交通不便，加上無法與熟悉的好友相聚，是多麼無趣！
希望在市區裡有一個銀髮社區，讓大夥參與並豐富生活，使下一代了解更多智慧且加以珍惜。
Being friendly is one of the Taiwanese people’s greatest traits. People in Taiwan enjoy visiting friends and gathering where other people are. Early in the morning, we can see elderly playing chess or shopping for groceries at the market with friends. Around noon, they prepare lunch for themselves and their friends. Sometimes, they plan trips, join community activities, and enjoy their pleasant life. Why do we send our beloved parents and grandparents to elderly facility in the mountains after retirement? Being apart from family, living in an inaccessible area, and being separated from their friends surely make their lives unpleasant! If we can build a community in the urban area for the elderly, and let them enjoy and enrich their life with friends and family, we will be able to learn from their knowledge and cherish their wisdom.
設計團隊：林泰成、楊貴涵
輔仁大學 應用美術學系
室內設計組- I-PET/DOG FASHION SHOW
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作品簡介
以狗狗的足跡來串聯整個設計發想
希望在整個空間裡的每一處都可以看到狗狗美容的過程
Everywhere in the whole space can see the process of dog grooming
設計者： 徐梓綺
希望在整個空間裡的每一處都可以看到狗狗美容的過程
Everywhere in the whole space can see the process of dog grooming
設計者： 徐梓綺
輔仁大學 應用美術學系
室內設計組-往昔之界
作品
作品簡介
滬尾曾經是臺灣第一個國際港，有著它燦爛的過去，而淡水滬尾「港埠山城」給人的印象，則是許多的本土藝術家的創作內涵，人文活動與歷史的軌跡在這塊土地所留下它風華絕代的面貌。
而位居目前福佑宮東側、崎仔頂上的重建街，便是當時留下的老街中歷史最悠久的一條，淡水重建街，成街於嘉慶年間，在當時有著「淡水第一街」的美名，當時滬尾的政商名流皆聚集於在這條街，在此處留下不少古宅與歷史建物，事實上，在中正路老街拆除之後，也是淡水僅存的最後一條「真正的老街」。
雖然重建街隨著滬尾港多年的泥沙淤積、商業重心的轉移，逐漸繁華落盡，歸於恬靜，但是它還是坐擁許多自清領時期至今所遺留下來的老建築，短短六百尺，宛如歷史的博物館。
而這條對於臺灣的地方歷史與文化如此重要的街道，如今很有可能會在政府政策的主導遭到破壞，老街價值的重整和歷史街區的塑造變成更加迫切，面對於環境與現實的無奈，重建街，也許很快就會被「重建」。
Tamsui is the first international harbor in Taiwan, so that it has a splendid past goes without saying.It inspires numerous local artists and writers for their masterpieces.The foot print of history and culture left glorious memories here.
Zhong-Jian Street is one of the oldest streets from that time,and is located between eastern part of Fu You Temple and Chi Tzai Ding Mountain.In Jiaqing years of Ching Dynasty, Zhong-Jian Street was built and became the most thriving part in this area.It even received a reputation as 「the top street in Tamsui」 at that time.
All the business men, politicians and celebrities gathered on the street and left many historical landmarks.Frankly speaking, after the demolition of Rd. ZhongZheng, Zhong-Jian becomes the only 「true old street」 in Tamsui.
Due to the sedimentation accumulation in Tamsui harbor and the shift in the business district, Zhong-Jian street has seen less commerce and has instead become more tranquil.
However, this street has still inherited lots of precious historical landmarks from previous periods. Though just 600 meters long, it looks just like a huge museum.
This street is so important in both a historical and cultural view, but nowadays it might be torn down under the government's control.The priority now is to make a plan to protect this historical district and to prevent its cultural value from destruction. And so, due to the environment and the reality of the situation, Zhong-Jian Street, just as its Mandarin namesake suggests, will be 「rebuilt」 very soon.
設計團隊：金庭竹、翁瑞壕
而位居目前福佑宮東側、崎仔頂上的重建街，便是當時留下的老街中歷史最悠久的一條，淡水重建街，成街於嘉慶年間，在當時有著「淡水第一街」的美名，當時滬尾的政商名流皆聚集於在這條街，在此處留下不少古宅與歷史建物，事實上，在中正路老街拆除之後，也是淡水僅存的最後一條「真正的老街」。
雖然重建街隨著滬尾港多年的泥沙淤積、商業重心的轉移，逐漸繁華落盡，歸於恬靜，但是它還是坐擁許多自清領時期至今所遺留下來的老建築，短短六百尺，宛如歷史的博物館。
而這條對於臺灣的地方歷史與文化如此重要的街道，如今很有可能會在政府政策的主導遭到破壞，老街價值的重整和歷史街區的塑造變成更加迫切，面對於環境與現實的無奈，重建街，也許很快就會被「重建」。
Tamsui is the first international harbor in Taiwan, so that it has a splendid past goes without saying.It inspires numerous local artists and writers for their masterpieces.The foot print of history and culture left glorious memories here.
Zhong-Jian Street is one of the oldest streets from that time,and is located between eastern part of Fu You Temple and Chi Tzai Ding Mountain.In Jiaqing years of Ching Dynasty, Zhong-Jian Street was built and became the most thriving part in this area.It even received a reputation as 「the top street in Tamsui」 at that time.
All the business men, politicians and celebrities gathered on the street and left many historical landmarks.Frankly speaking, after the demolition of Rd. ZhongZheng, Zhong-Jian becomes the only 「true old street」 in Tamsui.
Due to the sedimentation accumulation in Tamsui harbor and the shift in the business district, Zhong-Jian street has seen less commerce and has instead become more tranquil.
However, this street has still inherited lots of precious historical landmarks from previous periods. Though just 600 meters long, it looks just like a huge museum.
This street is so important in both a historical and cultural view, but nowadays it might be torn down under the government's control.The priority now is to make a plan to protect this historical district and to prevent its cultural value from destruction. And so, due to the environment and the reality of the situation, Zhong-Jian Street, just as its Mandarin namesake suggests, will be 「rebuilt」 very soon.
設計團隊：金庭竹、翁瑞壕
輔仁大學 應用美術學系
室內設計組-牧牧
作品
作品簡介
因為某些因素而被送到兒少安置機構的孩童，在機構內並沒有完善的資源及空間，讓他們好好活動；導致常有適應不良或心理創商加重等情況發生。
所以我們這一次設計的兒童諮詢中心就是要改善這一方面的困擾，建立起一個讓孩童與社會環境接軌的優質空間，結合了育幼院及培訓家庭的系統；希望與孩子們構築一個溫馨幸福的家庭。
Children are sent to the children’s service organizations for various reasons. However, they are usually not provided with enough resources and space to develop physically, which often results in children’s maladaptive behavior or aggravation of their emotional stress.
Therefore, we form the children’s counseling center to help children deal with the above problems so that they can be more connected to the society. By working with the orphanage and families, we hope to help create warm and happy atmosphere for children.
設計團隊：陳旻、蔣佩函
所以我們這一次設計的兒童諮詢中心就是要改善這一方面的困擾，建立起一個讓孩童與社會環境接軌的優質空間，結合了育幼院及培訓家庭的系統；希望與孩子們構築一個溫馨幸福的家庭。
Children are sent to the children’s service organizations for various reasons. However, they are usually not provided with enough resources and space to develop physically, which often results in children’s maladaptive behavior or aggravation of their emotional stress.
Therefore, we form the children’s counseling center to help children deal with the above problems so that they can be more connected to the society. By working with the orphanage and families, we hope to help create warm and happy atmosphere for children.
設計團隊：陳旻、蔣佩函
輔仁大學 應用美術學系
室內設計組-凝佇 邊境
作品
作品簡介
台灣，享有「福爾摩沙」美譽的寶島，擁有四面環繞的蔚藍大海與極富生命力的蓊鬱山林，但除此之外，人們卻忽略了同等重要性的「地球之腎」──濕地。
在繁忙的都市中，要走進「自然」是種渴求，為此，我們希望藉由重整「濕地公園」，喚起民眾對這片土地的重視，讓自然重新引入你我生活空間。同時，亦可藉此教育下一代使其瞭解生態的重要以及如何保護我們現存的土地，進而達到增進「人與環境」；「人與人」之間的互動。
Taiwan, the Formosa, is surrounded by the great nature which is consists of the blue ocean and lifeful forest. But, the wetland, kidneys of the globe, has long be forgotten.
In the modern busy society, people are eager to the nature deep from their hearts. Thus, we hope that it can arouse people’s attention to the nature and bring the nature back to people’s life by building the wetland park. In the meantime, we also hope that the wetland park could make people understand the importance of ecology and the way of protecting our land. Furthermore, we hope it could improve the interactions between human beings and the nature.
設計者：林思含、張雅瑄
在繁忙的都市中，要走進「自然」是種渴求，為此，我們希望藉由重整「濕地公園」，喚起民眾對這片土地的重視，讓自然重新引入你我生活空間。同時，亦可藉此教育下一代使其瞭解生態的重要以及如何保護我們現存的土地，進而達到增進「人與環境」；「人與人」之間的互動。
Taiwan, the Formosa, is surrounded by the great nature which is consists of the blue ocean and lifeful forest. But, the wetland, kidneys of the globe, has long be forgotten.
In the modern busy society, people are eager to the nature deep from their hearts. Thus, we hope that it can arouse people’s attention to the nature and bring the nature back to people’s life by building the wetland park. In the meantime, we also hope that the wetland park could make people understand the importance of ecology and the way of protecting our land. Furthermore, we hope it could improve the interactions between human beings and the nature.
設計者：林思含、張雅瑄
輔仁大學 應用美術學系
電腦動畫組-Sunday美好心晴天
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作品簡介
現代人因為太依賴電腦而忽略生活，在這部片裡，藉由狗的視角看人浪費太多時間在電腦上是荒謬的，提醒觀眾生活中還有其他的事要做，離開電腦走出戶外，能夠發現更多美好。
Modern people rely too much time on the computer .In this film, as the dog’s perspective, to remind the audience that wasting too much time on the computer is absurd.
Beside the computer, there are many important things to do in our life.
設計團隊：傅明勤、簡一盛、朱益華、趙芸芸、胡雅婷
Modern people rely too much time on the computer .In this film, as the dog’s perspective, to remind the audience that wasting too much time on the computer is absurd.
Beside the computer, there are many important things to do in our life.
設計團隊：傅明勤、簡一盛、朱益華、趙芸芸、胡雅婷
輔仁大學 應用美術學系
電腦動畫組-比較級 Beyond Comparison
作品
作品簡介
望子成龍的父母親們總是對自己的孩子充滿期待，往往會拿各自小孩的學業、成就等……去和親戚或週遭的人互相比較，但是每個小孩都是獨立的個體，過度的比較心只會讓事情變的適得其反。
The parents who do long to see their children succeed in life always expect them to be talent. They Even take their children's studies, achievements and so on to compare with others. Every child is an individual and his/her own master. Parents' competitive mentality may cause the backfire on their children.
設計團隊：林柔旻、方嘉慧、郭盈君、鄧淑珨
The parents who do long to see their children succeed in life always expect them to be talent. They Even take their children's studies, achievements and so on to compare with others. Every child is an individual and his/her own master. Parents' competitive mentality may cause the backfire on their children.
設計團隊：林柔旻、方嘉慧、郭盈君、鄧淑珨
輔仁大學 應用美術學系
電腦動畫組-操猩苦 office chimps
作品
作品簡介
有一群猴子，打領帶在辦公室上班，在黑猩猩老闆監視器的掌控之下，看到猴子有蓋章蓋歪的地方就發兩倍多的資料，猴子看了就發瘋，老闆甚至會阻止他的行動，讓猴子更累，直到工作結束後，由於老闆只分發小蕉皮給猴子，全部的猴子都生氣了，黑猩猩老闆也因自己的行為導致後果。
A busy day, Many monkey working in the office, Under the perspective of the monitor, chimp Boss seat in his office overlooking the monkeys work, when monkey take a break at work, The boss gave him more and more paperwork, monkey looked at these get tired of it, even boss will limit his free time, so that the monkey is very angry, The end of time, the boss give each Gift , at first monkeys looked very happy, the gift was empty, so all monkeys were angry, lead a result because chimp boss bad behavior.
設計者：李賢識
A busy day, Many monkey working in the office, Under the perspective of the monitor, chimp Boss seat in his office overlooking the monkeys work, when monkey take a break at work, The boss gave him more and more paperwork, monkey looked at these get tired of it, even boss will limit his free time, so that the monkey is very angry, The end of time, the boss give each Gift , at first monkeys looked very happy, the gift was empty, so all monkeys were angry, lead a result because chimp boss bad behavior.
設計者：李賢識
輔仁大學 應用美術學系
電腦動畫組-濾境-Clear Up
作品
作品簡介
在一座工業發達的小鎮裡，某日鎮上機器紛紛停擺，就在維修師經過一番努力修理完畢並準備再次啟動開關時，看見了城鎮外充滿生機的景象。這時，維修師開始猶豫是否要再次啟動，或是維持這片美麗面貌……
我們以現今工業對環境造成傷害作為出發點，想表達解決當前問題並非只顧於表面，而是追尋其問題根源。
One day, in an industrial town, all of the machines here stop working. When engineer finish repairing and are going to turn on machines again, at the same breath, they see that, without machine, there is full of vitality outside the town. Consequently, engineers are in the dilemma whether they should make machines operate again or to preserve this gorgeous scenery.
Through the contaminated environment by industrial improvement, we want to imply that dealing with problems is that not merely concentrate on superficial part but also problems’ innate.
設計團隊：胡立歐、林琬青、顏子寧、嚴懿
我們以現今工業對環境造成傷害作為出發點，想表達解決當前問題並非只顧於表面，而是追尋其問題根源。
One day, in an industrial town, all of the machines here stop working. When engineer finish repairing and are going to turn on machines again, at the same breath, they see that, without machine, there is full of vitality outside the town. Consequently, engineers are in the dilemma whether they should make machines operate again or to preserve this gorgeous scenery.
Through the contaminated environment by industrial improvement, we want to imply that dealing with problems is that not merely concentrate on superficial part but also problems’ innate.
設計團隊：胡立歐、林琬青、顏子寧、嚴懿
